Haenel said director French director Christophe Ruggia harassed her from the age of 12 through 15. Haenel alleges that Ruggia made advances on her after she was cast in his 2002 drama “The Devils” ...

It’s no mere coincidence that Adèle Haenel hasn’t made a movie since 2019’s trio of Portrait of a Lady on Fire, Deerskin, and Heroes Don’t Die. While the French actor was attached to star in Bruno ...

The 'Portrait of a Lady on Fire' actress accused Ruggia of sexually assaulting and molesting her over the course of three years, starting when she was 12. By Scott Roxborough Europe Bureau Chief The ...

Adèle Haenel has condemned what she calls the French film industry's "general complacency ... vis-à-vis sexual aggressors." By Scott Roxborough Europe Bureau Chief In a letter published on media news ...

Adèle Haenel, a French actor who has accused a filmmaker of sexually assaulting her when she was a child, shouted at him to "shut up" before storming out in the middle of his trial. Christophe Ruggia, ...

Adèle Haenel, the star of critically acclaimed films Portrait of a Lady on Fire and Deerskin, has sent a letter to French magazine Télérama in which she explains her reasons for quitting the film ...

Add Yahoo as a preferred source to see more of our stories on Google. French film director Christophe Ruggia is finally heading to trial on charges of sexually abusing actress Adèle Haenel when she ...

Add Yahoo as a preferred source to see more of our stories on Google. “I don’t make films anymore,” Haenel said. “Because of political reasons. Because the film industry is absolutely reactionary, ...

French film director Christophe Ruggia is finally heading to trial on charges of sexually abusing actress Adèle Haenel when she was underage. Haenel, one of the first to call someone in French cinema ...

"By leaving this industry for good, I want to take part in another world, in another cinema," the actress said. “I don’t make films anymore,” Haenel said. “Because of political reasons. Because the ...

Performances in N.Y.C. Advertisement Supported by Haenel, working with the choreographer-director Gisèle Vienne in “L’Étang,” is trying to “pierce through the surface of things.” By Elisabeth ...