Add Yahoo as a preferred source to see more of our stories on Google. Jul. 25—Nancy Farrand stumbled onto the stage at Portland's Merrill Auditorium. She had walked hundreds of miles as a captive of ...

With no Schiller or Shakespeare as base, only the Egyptians and international dignitaries to please for the opening of the Cairo Opera House, Verdi’s librettist Ghislanzoni and scenario deviser ...

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...

Earlier this season at the Met, Meade stepped in to sing the title role of Bellini's Norma and also starred as Elisabetta di Valois in Verdi's Don Carlo. Other highlights at the house include her ...

Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...

Performances in N.Y.C. Advertisement Supported by But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire. By Zachary Woolfe “I’m not ...

Performances in N.Y.C. Memorable performances included a pair of Strauss operas, a suave villain, a star soprano in “Fidelio” and a new conductor in “Le Nozze di Figaro.” Credit...Metropolitan Opera ...