Mozart’s beloved classic, The Magic Flute, is a fairytale of darkness and light, which explores the journey in search of truth and reason, love and enlightenment. As the action unfolds, Tamino, a ...

Performances in N.Y.C. Julie Taymor’s abridged production of Mozart’s opera has been trimmed down to 90 minutes as the Metropolitan Opera bids to recruit a new generation. Credit... Supported by By ...

Directed by Nashville Opera CEO & Artistic Director John Hoomes, The Magic Flute will be presented April 12 and 13 at the Tennessee Performing Arts Center's Jackson Hall. With sumptuous costumes ...

Director Melanie Helton’s key to MSU Opera Theatre's production of Mozart’s “The Magic Flute” is bold color. As she has studied the opera, Helton said she feels the opera’s themes of good and evil, ...

David Larkin does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their ...

Yin and yang. Masculine and feminine. The rise of patriarchy and how it could come to an end. These are themes that Northwestern Opera Theater’s production of “The Magic Flute” will explore Thursday ...

CLEVELAND, Ohio – The first time Austrian theater and opera director Nikolaus Habjan heard “The Magic Flute,” at age 4, he was smitten, transfixed. He was a busy, restless child, but when he ...

In a kingdom of monsters, temples and enchantments, Prince Tamino is on a mission to rescue Pamina, the daughter of the Queen of the Night. But first, he must undergo a series of trials to attain ...

A remarkable synergy of musical and visual storytelling enlivens Seattle Opera’s current production of “The Magic Flute,” running through March 9. Initially created in 2012 by Australian director ...

“The Magic Flute” has enchanted audiences ever since it opened in 1791, just months before Mozart’s untimely death. On the surface, “Flute” is a fairy tale about a prince who sets out to rescue a ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with “The ...